Postscript and its Benefits

Adobe PostScript is the worldwide printing and imaging standard. It is widely used by print service providers, publishers, corporations, and government agencies around the globe, giving you the power to print visually rich documents reliably. Adobe Postscript printing technology is licensed to original equipment manufacturers (OEMs) for building high-performance printing systems and print workflow solutions. As a scalable architecture, it can be easily integrated into a wide range of devices and technologies while maintaining the high quality and performance.
It has become the printing and imaging technology of choice for corporations, publishers and government agencies throughout the world. 75 % of all commercial publications are printed on Adobe PostScript devices. These include
• black/white printers,
• colour printers,
• image setters,
• latesetters and
• direct digital printing systems.
By the way, Postscript is not limited to be used in printers or other devices used in the professional printing process. Also computer screens have been driven by Postscript.
The Postscripts language has had two major upgrades. The first version, known as PostScript Level 1, was introduced in 1984. Post script 1 was implemented by the Apple on the Apple LaserWriter printer. Postscript supported many new features at that time like outline fonts and vector graphics so it became popular among graphic printers. The structure of the Postscripts language, which is similar to a conventional computer programming language, meant that these advanced features could be used in a very versatile and creative manner to create complex images and designs. Apple continued to upgrade this language and introduced the Apple LaserWriter Plus. The new printer had more memory and many more outline fonts.
Nowadays, Postscript has become an industry standard for the typesetting of books, magazines and other complex publications.
PostScript Level 2
PostScript Level 2 was introduced in 1991, and included several improvements: improved speed and reliability, support for in-RIP separations, image decompression (for example, JPEG images could be rendered by a Postscripts program), support for composite fonts, and the form mechanism for caching reusable content.
The disadvantage of Postscripts was its speed. Postscript Level 1 required an enormous amount of processing power, and was often very slow. The capabilities of the various releases were also confusing, as the language was enhanced as each new printer was equipped with PostScript, extensions to PostScript were created to cope with colour, patterns, printers with multiple paper trays, duplex etc. PostScript Level 2 incorporates all the enhancements made to the original PostScript, setting a new baseline for the language. PostScript Level 2 is entirely backwards compatible with the original PostScript, and will produce the same image for a job as a PostScript Level 1 printer.
PostScript Level 3
Postscript level 3 was introduced in 1997, supports more fonts, better graphics handling, and includes several features to speed up PostScript printing.
PostScript 3 (Adobe dropped the "level" terminology in favor of simple versioning) came at the end of 1997, and along with many new dictionary-based versions of older operators, introduced better color handling, and new filters (which allow in-program compression/decompression, program chunking, and advanced error-handling).
The new graphics capabilities include
• smooth shading,
• idiom recognition,
• masked images,
• finer colour controls,
• superscreens, and
• fast image.
Other improvements of PostScript Level 3 include
• In–RIP Trapping,
• direct PDF printing, and
• DeviceN.
In–RIP Trapping is a new capability of the PostScript 3 interpreter that executes trapping commands at the raster image processor (RIP), automating complex and time consuming prepress tasks. Trapping is specified, then rendered at print time rather than as a separate production step prior to RIPping. Direct PDF printing is an optional capability of the Adobe PostScript 3 interpreter that improves workflow productivity by allowing the RIP to accept and print files in the Portable Document format (PDF) without
printing through an application – the PDF files don’t have to be opened with an application and then be printed from that application but can be sent directly to the RIP.
DeviceN is a new Level 3 operator that handles any number of colours, from duotones and tritones, to Haxachrome™ and beyond, in a composite workflow. This feature is supported by Adobe Photoshop 5.0. It makes prepress applications easier to use and
more efficient, representing all colour on one single page, instead of using one page per colour.

Benefits of Adobe Postscript are :

  • Quality. Adobe Postscript was designed from the outset to work seamlessly with every major operating system and color management system and prints anything, from everyday business correspondence to complex colorful brochures. The printed version always looks exactly as it does on-screen without reformatted pages or misplaced artwork.

  • Network. With support on every major computer platform Adobe Postscript devices are ideal for networks large and small.

  • PostScript became commercially successful due to the introduction of the graphical user interface, allowing designers to directly lay out pages for eventual output on laser printers. However, the GUI's own graphics systems were generally much less sophisticated than PostScript; Apple's QuickDraw, for instance, supported only basic lines and arcs, not the complex B-splines and advanced region filling options of PostScript. In order to take full advantage of PostScript printing, applications on the computers had to re-implement those features using the host platform's own graphics system. This led to numerous issues where the on-screen layout would not exactly match the printed output, due to differences in the implementation of these features.
  • Print documents regardless of printing device computer platform or operating system. This is device independence. Adobe Postscript language file is independent of the device that created it and the device that prints it.

  • Print documents not created by the user including documents sent by email imported from new media such as CD-ROM or downloaded from the Internet.

  • Select the best device for users' needs from a wide variety of Adobe Postscript devices currently available.

  • Print easily across networks large or small which incorporate a variety of computers operating systems, applications and printing systems anywhere in the world.

  • Adobe Postscript printers and systems work independently of any network configurations ensuring seamless operation in any environment.

  • Print in color with the assurance that regardless of device the colors in the output will be what the user intended.

  • Performance. Adobe continuously optimizes the Adobe Postscript system to enhance performance. The flexibility of Adobe Postscript offers manufacturers the freedom to optimize the printing environment with technologies such as memory reduction compression and coprocessors.

  • Compatibility. Whether using Microsoft Windows Apple Macintosh, UNIX, OS/2, DOS, or a networked combination, Adobe Postscript delivers consistent high-quality results.

  • Typically, PostScript programs are not produced by humans, but by other programs. .

Spot Color

In offset printing, a spot color is any color generated by an ink (pure or mixed) that is printed using a single run. Spot colors are special pre-mixed inks used instead of, or in addition to, the process color (CMYK) inks. Each spot color requires its own plate on the press. If you are planning to print an image with spot colors, you need to create spot channels to store the colors. More advanced processes involve the use of six spot colors (hexachromatic process), which add Orange and Green to the process (termed CMYKOG). The two additional spot colors are added to compensate for the inefficient reproduction of faint tints using CMYK colors only. Spot color printing is effective when the printed matter contains only one to three different colors, but it becomes prohibitively expensive for more colors. However, offset technicians around the world use the term spot color to mean any color generated by a non-standard offset ink; such as metallic, fluorescent, spot varnish, or custom hand-mixed inks.
Most desktop publishing and graphics applications allow you to specify spot colors for text and other elements. There are a number of color specification systems for specifying spot colors.
Creating Spot channel in Adobe Photoshop
You can create a new spot channel or convert an existing alpha channel to a spot channel
First choose Window > Channels to display the Channels palette. Do one of the following
create a channel:
• Ctrl-click (Windows) or Command-click (Mac OS) the New Channel button in the Channels palette or click the pop-out menu in the Channels palette.
• Choose New Spot Channel from the Channels palette menu.
New Spot Color in Adobe Illustrator
• Ctrl-click (Windows) or Option-click (Mac OS) the New Swatch button in the Swatches palette.
• Ctrl-drag (Windows) or Command-drag (Mac OS) the color from the toolbox or Color palette to the Swatches palette. Or, if you selected an object, Ctrl-drag (Windows) or Command-drag (Mac OS) the object to the Swatches palette.
• Select New Swatch from the Swatches palette menu. Select Spot Color for Color Type. Set additional swatch options if needed and click OK.
You can find some predefined spot colors, such as colors from the TOYO, PANTONE, DIC, and HKS in the "libraries".
are defined using Lab values.
Soft Proofing of Spot Colors
Remember that spot colors (gold, silver, fluoresent) can't be reproduced on a monitor exactly because they exist outside the gamut or color range of monitor and other proofing devices.